Mordançage August 2-7, 2020 Montana
Details Photographers Formulary
In this workshop we shall begin with a brief history of the mordançage process and the work of Jean Pierre Sudre, the French photographer that created the1960 formula we use today. As her mentor and friend for over 15 years, Elizabeth learned the process in 1991 directly from this master in his Provence atelier, adding her voice on day two by including the veiling techniques. Viewing original works by masters in Mordançage will add valuable insight into directions for making it your own creative voice.
Together students shall mix the chemistry and begin with an instructor demonstration on understanding the test strips to discover proper exposures for negatives or photograms. What takes time to create, time respects. Mordançage takes time to master. Information on negatives or materials to bring shall be sent prior to the workshop. Darkroom days will be spent testing various paper and redeveloper combinations, experimenting with oxidation, toners and hand painting to alter color, and deciding to save or not to save the veils. Often, just because you can, doesn’t mean you should. Discussions will also focus on intent or output for the final image. Papers, chemicals and notebooks with formulas will be supplied.
By the end of the workshop, students will have a safe working knowledge of the process, and leave with archival processed images. You will have a good foundation into the techniques if you decide to continue your experimentation. After 29 years of committing to the mordançage process, Elizabeth has many possibilities, pitfalls and discoveries to share. Working collectively with a group of photographic peers, students can combine information on papers available today to further enhance their creativity. Experimenting is highly encouraged. A working knowledge of the darkroom is essential.